It offers an aggressive mid-range and tight low-end from its unique dynamic harmonic saturation. New York: Designed to emulate the solid-state discrete circuits of vintage American consoles.Great for adding thickness and plenty of body to mixes. London: Designed to emulate the tube circuits of vintage British consoles. It offers big, warm and bold in the lows and low-mids, with a slightly smoother top-end.Each module can act as a preamp, a saturator, or even a virtual tube-summing console. Similar to the Virtual Console Collection, Slate also offers three plugins with their Virtual Tube Collection, designed to recreate the sound of classic vintage tube circuits. They’v Play Video Virtual Tube Collection
In particular, Slate Digital has become one of the most popular analog hardware emulators among professional audio engineers. Slate Digital Virtual Console Collection 2.0 – Included in Everything Bundle!įor decades plugin manufacturers have been trying to capture the essence of analog signal processing in the digital domain - and they’ve gotten pretty damn good at it. US A: Modeled after the API 1604 console. Known for its thick and fat tone with incredible vibe and mid-range punch.Ψ: Modeled after the legendary Trident 80B console. Known for its wide soundstage, smooth highs, and fat low-end.The all-tube design offers super thick mid-range, smooth high-end, and a fat, warm bottom end. RC-Tube: Modeled after a vintage RCA Broadcast Tube Console from the 50’s.Brit N: Modeled after the Neve 8048 console.Known for its clean, punchy, wide, and slightly aggressive quality. Brit 4k G: Modeled after the SSL 4000G console.Increase the drive for amazing saturation. Known for its tight but punchy low-end, warm low-mids, and a present midrange. Brit 4k E: Modeled after the SSL 4000E console.Although both plugins offer the same console emulations, they each have their own unique tone. The Virtual Channel is intended for individual channels, while the Virtual Mixbus models the unique effects of analog summing. The Virtual Console Collection is designed to emulate the personality of analog mixing consoles. In this article, we’ll break down each plugin in the Virtual Mix Rack and look at what gives them their charm. But without knowing the unique characteristics of each plugin, it can be difficult to dial in the sound you’re looking for, or even know which tool is right for the job. They’ve put together a collection of plugins modeled after some of the most iconic signal processors from the last 50 years. Warum das? Ich feiere die Möglichkeit, von Stereo auf M/S umschalten zu können und dem Side-Signal nochmal bisschen dampf geben zu können.ĭieses Plugin bekommt definitiv eine Kaufempfehlung von mir, wie alle Plugins von Slate Digital eigentlich.For decades plugin manufacturers have been trying to capture the essence of analog signal processing in the digital domain - and they’ve gotten pretty damn good at it. Ich will gar nicht detailliert auf die einzelnen Kompressor-Typen eingehen, das würde den Rahmen sprengen und dafür gibts ja auch schon zahlreiche Rezensionen.Īber kann sagen, dass ich das die Kompressoren sehr gerne und sehr oft im Verbund des VBC Racks benutze, einzeln aber auch nur mal auf die FG-MU Emulation zurückgreife. Offener, klarer, irgendwie strukturierter.
Ich nutzte eh schon auch Teile des Virtual Mix Racks von Slate und bin auch mit dem VBC nicht enttäuscht worden.Īlleine wenn ich das Plugin nur in den Master-Bus reinlade, ohne irgendwelche Settings einzustellen, merke ich deutlich wie der Mix aufgeht. Und was soll ich sagen, richtig richtig gutes Plugin. Ich hab ja manchmal so Anflüge von "ich kauf einfach mal blind und kucke ob ichs dann wirklich gebrauchen kann".Īuf der Suche nach einem anderen Buss-Compressor als den Stock von Cubase stieß ich dann recht schnell auf diesen hier von Slate.